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Alkimos Primary School 2016

Alkimos is named after a Greek ship that was wrecked off the coast in 1964. The vessel broke anchor and was driven onto the Eglinton Rocks, after which the partly dismantled remains sat in several metres of water before gradually disintegrating and sinking. It is now a popular diving venue.
The Alkimos sea journey begins with a deliberately rusted steel anchor nestled in the garden bed at the entry to the school. Mehdi has carved a medley of sea creatures that divers might expect to meet on their journey down into the depths of the Alkimos wreck.

Students and adults alike can sit on, hug and play with larger works placed in the grassed courtyards. The hermit crab, Australian sea lion and green turtle have each been rendered with anatomical precision, as have the sharks, fish, dolphins, squid and turtle on the five wall pieces to assist with navigation through the school site.

The sculptures are carved from Donnybrook sandstone and the sandy colour with subtle lines evoking dunes and shore running through makes it the perfect medium for ocean inspired artworks in a beach side suburb.

TITLE: “Wreck Art”
PHOTOGRAPHER: Jerika Faithfull

Carawatha Park, Willagee

Western Australia
2015

New sculptures by Mehdi Rasulle.
Carawatha Park is a children’s nature playground with hidden sculptures waiting to be discovered.
The artworks are named “Bushland Hide and Seek”.
Photography by Matt Sullivan.

Bus stop just the ticket

Tram Bus Stop by Sculptor Mehdi RasulleA NEW piece of public art by a Queens Park artist has made the triple achievement of being pleasing to the eye and functional while also acknowledging the local history of the area.

Mehdi Rasulle was quite rightly beaming with pride as his Tram Bus Stop public artwork was officially unveiled by Town of Victoria Park Mayor Trevor Vaughan last week.

The artwork is a functioning bus shelter on Albany Highway that cleverly incorporates design elements of a tram, to reflect the history of the tram service that used to run through the area.

The site was originally the end stop for a tram that ran through Victoria Park from Perth CBD to Welshpool Road from 1905-1951.

A tram carriage bus stop had been at the site for many years but wear and tear saw it replaced with a standard bus stop in 2008.

Key pieces of the original shelter were salvaged and incorporated into the new design.

Rasulle operates under the business name Sculpture Sitoara and has other public artworks at schools and churches around Perth.

The Town has commissioned him to produce another public artwork, which will reflect the history of Broadway Theatre.

Love in Art

BY ANTHONY BARICH
National Reporter

Refugee who lost his older brother to Taliban’s brutality makes new life here, uses talents to sculpt God’s Saints

the-record-mehdi-with-wife-and-child

Mehdi Rasulle, the Afghan refugee who sculpted the statue of St Joseph the Worker and Blessed Mary MacKillop located just inside the main entrance of St Mary’s Cathedral, is pictured with his wife Joanne and 12-month-old son Eolann after Archbishop Barry Hickey blessed the images during a special ceremony on December 13.
PHOTO: ANTHONY BARICH

An Afghan refugee whose brother was executed by the Taliban crafted a statue of St Joseph the Worker in Perth’s Cathedral of the Immaculate Conception based on what he learned of the saint in Muslim studies as boy.

Perth Archbishop Barry J Hickey blessed the statue in a special ceremony on December 13 at the Cathedral that was officially opened on December 8 after being closed for three years for a $32.9 million restoration and completion project. The sculptor of the statue is Mehdi Rasulle, 25, one of 11 children who was born in Kabul and arrived in Australia illegally by a boat crowded with over 200 people in 2001.

Mehdi’s statue of St Joseph has words inscribed in Hebrew, that reads, from right to left, “Joseph, son of David”, referring to the term the angel used to address Joseph when appearing to him in a dream telling him not to fear taking Mary as his wife though she was pregnant by the Holy Spirit.

Mehdi spent five and a half months at Curtin Detention Centre, located on the RAAF (Royal Australian Air Force) base north of Broome, WA before being granted a visa, and has now started a family with Joanne, an Irish woman.

Though he keeps in touch with his family by phone, they are scattered throughout the Middle East.

He has not seen them since he left on his own, but hopes one day to bring them all to Australia.

His wealthy father ran a transport business until fighting broke out in the country over 15 years ago and he lost his job.

His oldest brother Nik Qadem became a working and teaching artist after completing university and military service.

Another older brother, Abbas, also took up art, but later gave it up under pain of death to become a panel beater.

In 1996, the Muslim fundamentalist group the Taliban had taken control of Afghanistan’s government and ruled until the 2001 United States-led invasion drove it from power.

These six years proved tragic for Medhi’s family, which belongs to the Hazara ethnic minority. Once the Taliban, of the Pashtun ethnic group, came to power, life became tough.

As his oldest brother Nic Qadem, who taught him sculpting, also taught classical art which included the Christian-inspired Renaissance art, his whole family was charged with preaching Christianity – though they are Muslims.

Though his family spent much time moving from place to place in hiding, his brother Nik Qadem was found, prosecuted and executed by shooting.

“The same thing would have happened to me if I had stayed there,” said Mehdi, who has forged an impressive reputation in WA as a sculptor artist, though depicting living things is against Islamic doctrine which would have made him a Taliban target back home. He was commissioned by Aquila Estate’s cellar door outlet in Carabooda, WA and has been awarded many public contracts and private commissions, including his latest, by Perth Archbishop Hickey himself.

When Mehdi drew a sketch of St Joseph from what he’d learned as a child of the saint as the father of Christ, who in the Muslim faith is a highly regarded prophet, the Archbishop loved it.

Mehdi also crafted the image of Blessed Mary MacKillop above the statue of Joseph the Worker. Sister Pauline Morgan, head of the WA Sisters of St Joseph of the Sacred Heart, told The Record after the ceremony that the Sisters were “really pleased” that their foundress received pride of place in Perth’s Mother Church.

“With the imminent canonisation of Mary MacKillop, it’s important that people know about her,” said Sr Pauline, who was appointed was WA leader of the congregation in March 2008.

the-record-josephite-sisters-800px

Josephite Sisters Joan Liff, Katherine Hitchcock, Anita Gallagher, Gemma Scott, Pauline Morgan, Margaret Kane, Kathryn Summerfield (top row), Julian Della Franca, Maureen Hodge, Eileen Johnson and Gail Lambert (bottom row) with the image of their foundress.
PHOTOS: ANTHONY BARICH

The Sisters are preparing for her expected canonization in Rome in 2010. Perth is one of the few places Blessed MacKillop did not visit, though she did set foot in Albany, in the south-west of WA.

In her last ‘sending out’, Mary MacKillop sent a group of her Sisters to the monastic town of New Norcia in WA to teach in 1906.

Archbishop Hickey said during the December 13 blessing of the statue at the Cathedral that St Joseph is more than the man charged with bringing up Jesus – significant though that role was.

“There is much biblical importance to him, as the prophecy in the Old Testament said that the Messiah would come from the House of David,” Archbishop Hickey said.

“He enabled the prophecy to be fulfilled. Jesus, belonging to the House of David, would inherit the throne of David forever.”

During the service, Archbishop Hickey handed all the contract workers who had worked on the Cathedral a pouch containing a medal inscribed with his signature and an image of the Cathedral.

During a special acknowledgement of the workers, the Archbishop said that the project became a labour of love for many of them, and some had told him personally that it was a privilege to work on such a sacred building.

“The workers took great pains to finish it in the best possible way,” he said, “with love, skill and devotion, as they knew it was a sacred building.

“It was with great joy that they brought it to completion.”